The hamlet of Moresco rises romantically from a hill top, which dominates part of the valley of the river Aso. It is a small jewel of a place, triangular in shape and totally bounded by its mediaeval walls. It is dominated by two splendid ghibelline towers. The main tower is heptagonal in shape and dates backs to the 12 th. Century. the other tower, know as "la torre dell'orologio" or the clock tower, overlooks the old entrance gate to the castle, and has next to it a beautiful 15 th. Century portico. The third tower, which is evident in ancient prints, is alas no more - just like the beautiful church which used to dominate the square. All that remains is the left nave, which even in this limited form, does much to enhance the character of the square. Some striking frescoes still remain, none more breath-taking than Vincenzo Pagani's "Madonna and Child". It's not surprising, therefore, to discover that Moresco has been named one of italy's most beautiful hamlets. Since becoming part of this elite club, it has also earned the distinction of being named a founder member of the association.

Its Origins
Legend has it that a group of daring Moorish warriors, tired of raiding the Adriatic coastline, decided to move into the interior and build a fortified settlement, right in the heart of the christian mainland. In any case, whatever the truth of the legend, there is no doubt that Moresco's origins go much further back. The Romans liked this spot, and a numbers of archaeological remains have been uncovered. These range from summer residences to milling equipment fr the production of olive oil. The 15 th. Century was Moresco's golden age. Many churches were built and a number of fomous paintings acquired, particularly those by Vincenzo Pagani (1490-1568). Moresco, in spite of its small size, managed through the centuries to retain its autonomy. Then in 1869 it was incorporated in the neighbouring Monterubbiano, only to regain its full independence 41 years later in 1910, an independence which it treasures to this day.